Jamulus is free sofware that allows musicians to collaborate in real-time over the internet. It works quite well, depending on how close the user are gographically.
Jamulus consists of servers and clients.
In the diagram at the right, in the center we see a server out in the internet cloud. This server provides a "room" where people can enter, and play together.
Connected to this server, like spokes in a wheel, we see multiple musicians. These clients. These people use the Jamulus client software to connect to the Server.
right now, out on the internest, there are over 200 Jamulus server "rooms." KalamaJam hosts several of these.
To see how easy it is to use Jamulus , click here.
Jamulus is free sofware that allows musicians to collaborate in real-time over the internet. It works quite well, depending on how close the user are gographically.
Jamulus consists of servers and clients.
In the diagram at the right, in the center we see a server out in the internet cloud. This server provides a "room" where people can enter, and play together.
Connected to this server, like spokes in a wheel, we see multiple musicians. These clients. These people use the Jamulus client software to connect to the Server.
right now, out on the internest, there are over 200 Jamulus server "rooms." KalamaJam hosts several of these.
To see how easy it is to use Jamulus , click here.
KalamaJam
The On-Line Connection for the Kalamazoo Musical Community
KalamaJam
2025 sched 2.pdf
Kylee Phillips
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Indie Pop / Singer-Songwriter
Kylee Phillips is a Michigan-native vocalist and songwriter of deeply self-exposing pop music. Armed with an arresting, emotive, laser-focused voice, and an unrivaled ear for hooks and melodic contour, Phillips has garnered cult-like acclaim in the midwest and beyond since her explosive debut EP Long Time Coming. The title is strangely apt, as Phillips was a beloved hidden gem in the Detroit scene for over a decade before materializing as a fresh face and urgent new presence in the indie/pop world.
Kylee’s anthemic, sonically dense songs alchemize the sincerity of a midwest heart with the prowess and unabashed indulgence usually reserved for coastal voices. Here listeners find the body-cleansing catharsis of femme-pop luminaries like Muna and Maggie Rogers, intertwined with the heartstring-pulling, hands-raised surrender of a worship conference. Every track makes equal space for the tears and the pulse-pounding we didn’t realize we needed so badly.
In a world with no shortage of self-help sad-babe pop, Phillips weaves together a sensual, articulate, and unpretentiously therapeutic soundtrack for the lives we live but can’t always verbalize. She lends us an experiential wisdom that could only come from a massive heart that’s seen a lot of garbage and emerged transformed and immovable.
